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generation fed up

Mein Homeslice   Felix Senner  erklärt kompakt und cool im Augsburg-TV, warum unsere Akademiker-Generation allen Grund hat, der Politik den Rücken zuzukehren  sich mehr zu informieren und engagieren - und He reflected also very good. We like!

reflects the course of the eyebrow position indirectly proportional to the amount of hope for recovery.

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Homemade Spacecraft

Because I had after the last entry little scared because of karma, here is a very positive and would rather post: Father and son make a balloon at 30km altitude gain and increase it on again, because an iPhone was in on it. Hach. Similar to the octopus history could come from a great children's books, of such a Author name with a double and Cordula or Sieglinde as first name, what with Bio. Or an Apple commercial.

Oh yes: found here, or on twitter - and no, I'm now not really up to date with it.

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The Augsburg song or: Gotham's long drive and dirty.

Whenever I have to do much more important, I am particularly susceptible to distraction. This provides me tonight found the song Augsburg, on the Twitter account of Tom Pösl .

Vorneweg: The song is the screamer. I have trouble to arrange all the Rants that I create. I'll ma 'ne list:

The players' wives rock Let
strong in the celebration of the AEV.

• Where have they gone, all the "sh", in Augsburg song?
• Augsburg: We're so multicultural, we have even Latin hymn in our city.
• Make yourself last (eternally) longer in bed: the Augsburg song.
• They sing it not really "Festina lente augusta Vindelicorum"? Haste makes waste? What is mine, the Kö? The offices?
• "Even fucking bishops can write great songs." (Ok, who is from Harald Schmidt, but slightly changed)

The rock riffs and the grotesque bawling can imagine that in addition to "Wetten, dass ..?" determined soon after the television garden Datschiburg comes, the song also suggests a cheerful crowd of rock-antenna handsets. If I'm out my window downtown look I see that truck drivers, butchers students and professors. So true.

Unfortunately, the text in some places difficult to understand what love but for me an allegory meant to represent everyday Augsburg. About the vocals can be said that they do not sound as if they came from laymen, more of lay people who have learned to talk straight.

Fast, Kurt, almost: "Only Bißle e, to ear!"
(image of the AZ)

Well, now it's getting dopey slow. With less irony: I think the song just embarrassing. This can be long (for me) this Gotham actions of Bavarian towns, in which one looks from the outside only to the head. Not bad, others bring.

would be commended as the once very cool "Live me, your Augsburg" to mention campaign that spice up the general quaint downtown beautiful in a modern, urban way konnte.

Fairerweise sollte ich sowieso mal schreiben, dass ich kein totaler Augsburg-Hasser bin, auch wenn das meine sonstigen Aussagen und Kommentare suggerieren könnten: Es ist angenehm hier, der Lebensstandard gut, wenn auch nicht München, aber dafür erschwinglicher. Augsburg hat eine Campus-Universität, was die nötige Anzahl an Fahrten mit dem ÖPNV zu einem erträglichen Maß minimiert. Dazu kommt, dass ich hier mit meinem bescheidenen Studentenlohn trotzdem in exklusiver Innenstadt-Lage hausen, ja sogar: wohnen kann. Danke dafür.

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Cucumbers on your eyes.

Wenn die schwere Holztür hinter dir zu- und der Blick nach vorn auf Kopfsteinpflaster, Nebel und verwehte Blätter fällt, dann bäumt sie sich noch einmal auf: die weichende Wärme einer tiefen Nacht, die sich den ganzen Weg tapfer bewahrt hat, hinunter aus dem wohlig-warmen Bett, durch die knarzende Küche und das alte Treppenhaus: ein schönes Lied , eine Melodie, die mitsprudelt in deinen Tag und ein ganz cooler Soundtrack sein könnte: Dieses Kribbeln auf der Haut, wie im Thermalbad, wenn man aus dem kalten Becken zurück in eine heiße Quelle steigt und merkt, wie es ganz viele kleine Freudenexplosionen überall gibt, dass man zurück ist, wie ein Schauer ist das dann. Nur eben umgekehrt.

picture of ktinka that makes even otherwise quite beautiful pictures.

And it is on his way to work, to university to the reason for the torture out of bed, the laborious steps, the grim face when you realize that it is winter and you probably already very soon has frozen cheeks that feel always so red, feel like laughing when Santa Claus made of porcelain, but inside only very mean nothing more. And all this in very specific colors of autumn, tanned, one might even say, but like so, because it is a dog somewhere weather.

Und wie so die Wärme von außen nach innen weicht, da kommen sie nochmal alle vorbei und sagen Hallo, schön war's, da im Sommer, als wir über den Dächern mit den ersten Sonnenstrahlen die lange Nacht vertrieben oder auf dem Steg am Ammersee, wo die Kids ganz heimlich ihren Joint geraucht haben, während die Eltern ihre Panacotta verdrücken oder das Cantucci nicht in den Espresso oder den Sherry tunkten und wir daneben standen, das Wasser plätschern hörten und Möwen drehten kleine Kreise und man selbst war ganz rundum zufrieden.

Schritt für Schritt, Schnitt für Schnitt, ein Film, mit deinem ganz eigenem Drehbuch, dass du eigentlich auch steuern kannst, weil jede Einstellung, each scene, the door is another daydream:

dream a little dream of me / you want to be americano / never went through San Francisco in ripped jeans.

scenes you see, you forget that you are too cold drawn and quite far away from the gray people around you are in the tram. The set now you're, teatro mundi you thinking, and you put the stage lights, which are incredibly warm and soft against the cone of light steam rising into the night sky: stars shining bright

above you / night breezes seem to whisper "I love you.

also desire you can really come in good in a film in your Oscar proposal for this year, but it does not have to be sad, only slightly depressing because everything passes, as the water vapor at some point before the appearance of throwing and then everything comes back, everything will be fine, rain, coming back again and faded flowers dripping or making very small, silver stains:

So your phantom follows me / like a child would his mother.

And when the door opens, you arrive and go into wherever you need because your bed is empty now and the radio on your Kitchen still, then you walk now on the brown, red and yellow leaves, and every crunch and crackle is a small round of applause for this successful art-house film, standing ovations, after party for those moments that make every summer special in his own in which a particular song, a mood, an emotion: a happy face with very joyful laughter lines around it.

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scene living room couch or, "Just think anyone really believed in the children" You float like a feather

That's her O-Face .

For about a week a rather slow surging wave of polarization of the power and the press: the new broadcast format of RTL2, including crime scene Internet had, first broadcast.

The RTL-2 broadcast "internet crime" shows potential child abusers who want to get together after online chats with minors and allegedly justified by the protection from abuse. (Spiegel Online )

course, this format is not really new, in America there is such a since 2004, much tougher than his German mimicry, under the name How to Catch a Predator .

Now the big Umberto Eco wrote already convincing thoughts on child abuse (in the translated collection of his Bustini Tues Minerva ), but not just virtual, following (and not in approach similar) a few too terse points on my part :
Nothing is of course also as a blow for child pornography, child abuse, children's chocolate or something with "child" to break in front. At the show there are already some good articles (here, the r Telepolis , or FAZ of Stefan Niggermeie ), but were disgusted look at the mission statements mir keine Ruhe, zudem wurde das Format im alltäglichen Gespräch als positiv, wenn nicht zumindest als gutgemeint dargestellt. Ich möchte erst ein paar Grundfragen vorneweg stellen und diskutieren, um im Folgenden näher auf die Problematiken einzugehen, die sich mir daraus erschließen.

Vorneweg: Ich bewege mich jetzt textuell in pikanteren Themenbereichen als Herbst oder Katze. Man fühle sich daher auch zur angeregten Diskussion eingeladen!

"Denk doch mal jemand an die Kinder!"

Was also spricht für die Sendung, beziehungsweise wird von RTL2, Endemol, kurz: den Befürwortern positiv vorangestellt?

1. Kinderpornographie ist schlecht.
2. Mehr Netzüberwachung, um Kinder online besser zu schützen.
3. Die Gesellschaft muss sich mehr mit dieser Problematik auseinandersetzen.

Zu 1.: Natürlich ist Kinderpornographie, Kindesvergewaltigung, Kindesmissbrauch und was noch dazugehört verabscheuungswürdig, unmenschlich und unnatürlich. Auch nach längerem Nachdenken fällt mir wirklich nichts Positives dazu ein.

Zu 2.: Die obig genannten Artikel setzen sich bereits zu Genüge und ausführlicher mit diesem Thema auseinander.

Zu 3.: Der Ausdruck "Die Gesellschaft" impliziert das Gros der sozialisierten demographischen Masse. Sage ich jetzt mal so. Ausgenommen also zum Beispiel verurteilte Häftlinge, denn die sollen ja "resozialisiert" werden. (Ich wähne mich hier auf juristisch streitbaren Gewässern und werde für jeden guten Kommentar Zentimeter für Zentimeter zurückweichen.) Ob dieser Teil nun auf die obige These hingewiesen werden muss, halte ich für fragwürdig. Ich würde das unterschreiben, wenn es grob gefasst "Erziehungsmissstände" hieße oder "Verwahrlosung" von Kindern, aber auf eine allgemein anerkannte ethische Norm? Ich glaube, es gibt wichtigere Missstände, die es an den Pranger zu heften gilt: Sei is the large field of educational topics. Or, the treated to satisfy, environmental problems or lack of humanity in the world of work (really defined very very vague) was. So that is just right for me. "Abused children do not" = "Water is wet" = "stone falls down." Clear case.

Why I like now that is not a show, want to support the above?

That's her O-... (From stern.de)

Well, it's showy, distorted facts and propagate a certain self-justice or lynch mob, would take over the tasks of the police, which has but very right to exist - from keyword human rights, respect privacy undundund. On stern.de I watched parts of the consignment. Section, background sound, graphic effects and the use of pseudo-classical authorities (Insert: take any psychologist with short hair, a gray-haired sex researcher, a fat policeman) are the glutamate underexposed. Rapid clearance, a simple writing style, the graphic representation of car-accident details (you can not turn away, is obscured Spicy yet clearly understood: Phallus) account for the audiovisual Fast food completely.

succeed one of the longer drinking, one sees the unfit mother Nicole and her pathetic daughter Mandy, who hang around for months for hours in chat rooms. I know, I know, now it seems cynical, but if I look at Mandy, his eyes on her mother and then turn again consider Mandy: Mandy (and her mother) is by some, much worse above mentioned abuses suffered much more likely than of sex offenders. Mandy course should not be also affected.

us so we try to statistics: According to police figures on Kinderschrei.de  wurden im Jahr 1999 19.436 Kinder Opfer von sexuellem Missbrauchs, davon bestand bei 9.368 keine Bekanntschaft mit dem Täter. Die Seite der Polizei zum Jahre 2009 hierzu zählt hier  nun 11.319 erfasste Fälle, von diesen bestand bei 4.759 Fällen keine Bekanntschaft mit dem Täter (bei weiteren 1.077 ist die Beziehung ungeklärt). Öh...Stephanie vonundzu? Abgesehen davon, dass das in jedem Fall 20.000 beziehungsweise 12.000 Fälle zuviel waren, finde ich an diesen Statistiken vor allem schockierend:

Fast 60% (zwei Drittel!) der Fälle geschahen gegenüber dem Jahr 1999 (ca 40%) in einer verwandt- oder bekanntschaftlichen Beziehung zwischen Täter und Opfer. Die Polizei betont gar noch, dass speziell in verwandtschaftlichen Verhältnissen mit einer hohen Dunkelziffer zu rechnen ist. Ich fühle mich also durchaus bestätigt in der Annahme der Effekthascherei seitens RTL2 und fordere konsequenterweise: Schützt unsere Kinder vor schlimmen Eltern. Kann man dazu bitte ein Format machen? Der Konsum von RTL2 dürfte dem Problem außerdem eher zuträglich sein. Mein Artikel ist also auch im Hinblick auf das wirklich grauenvolle amerikanische Format inklusive Selbstjustiz und Lynchmob ein "Wehret den Anfängen".

Abschließend darf ich dem Leser, trotz sehr ernstem Thema, diesen Schmunzler nicht vorenthalten:

Gefunden auf twitter.

Und möchte zudem die Frage stellen, auch wenn es etwas Klassenkampf von oben ist : Wer möchte bitte zukünftig, sollte Bayern tatsächlich mal einen Bundeskanzler stellen, eine ehemalige RTL2-Moderatorin als First Lady?

Is Akiba Online Closed

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Nach der Review von The Social Network  verbrachte ich die letzten 28 Hours of my life trying to find this song. It's called "Creep", the Choir Cover from a Radiohead song and my hipster heart bleeds quite dark, that I did not know (Alicia will see me with those evil eyes, that would be basic knowledge, one hundred per cent ). It is the trailer song, and turned out to be very catchy fit.

So I'm looking very desperate for this song, because I just always music in my daily need, at all, and I try the song with Shazam on the iPhone and so on, well, you know.

Where can I find it? On facebook. Rawr.

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Catcontent.

moaaahrrrkatze , originally uploaded by bene01 .

Because my early morning really rarely a crazy cat (half cat, half dog) makes absolutely confused most things, here's a picture from the series of photographic art, in an early morning according to Philippe Halsman , only with less time, cats, water and popular artists surreal.

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"You're so fuckin 'special'

Sun birthdays always attract a lot of celebration here, as celebration food out there, that Wastrinken, train, taxi back to itself, now I'm getting used to slowly turn beschallert and that the Wall has fallen. For this we need, too social contacts and therefore I was yesterday with Marius, Mr. Huaba and Karl in the cinema. More precisely, in The Social Network . And now I want to write something about it, because as Karl and I are equal to the worst interpretation was considered good and we were in the preview, so our time is a few days ahead, I have that now "blogging" right now. ("Blogging" please speak into Würgelauten.)

Yet this is the first time that I write a movie review. I'm so excited! On the other hand, I've already read a couple of times at Maria, on the other hand, I read so have lots of interesting things here on the web.

The film is classified as a drama on imdb, History. You know a little of what will come, thanks to trailer and common sense. A bit like Passio Christi, much spoilers can not. More interesting, therefore, how to keep screen play and story line one at the bar! Beginning: The film was very, very good. The storyline confident and plays very well with the characterization and the absolutely brilliant soundtrack.

So just before the lens, then the content. The film is modern, there is no split screens (or as it is called, 8 thought of 5 media experts, who were now "out", although at Up in the Air still there came. Hm), but in between the story angepasste schnelle Cuts und teils schöne Gimmicks, wie eine Zeitraffer-Aufnahme von San Francisco von Tag zu Nacht, um dann in einen Club über zu leiten.

Mein persönliches Highlight war die Szene der Rudermeisterschaft: David Fincher fährt mit Tilt/Shift -Einstellung auf die Szenerie zu, im Hintergrund spielt Peer Gynt's "In der Halle des Bergkönigs". Ist die Tilt/Shift-Einstellung erst ein Hohn auf die etablierte Oberschichten/Ivy League-Gesellschaft, so sind die angestrengten Gesichter der rudernden Studenten für mich ein schöner Vergleich, wie die klassische Wirtschaftselite verbissen versucht, Jungspunden wie Mark Zuckerberg oder Sean Parker  hinterher zu eifern.

Münchner Fantasien anno 2001: exitorientiertes Unternehmen gründen, Praktikantin auf Weihnachtsfeier vergewaltigen. So schauen.

Die Storyline wird geschickt aufgebaut; der Haupt-Erzählstrang, also die Genese von Facebook, wird chronologisch erzählt, jedoch immer wieder von Szenen aus zwei Gerichtshandlungen unterbrochen, welche das Erlebte der Hauptgeschichte geschickt hinterfragen und den Charakter Mark Zuckerberg aus allen möglichen Winkeln betrachten - und dabei auch zu diesem transparenten Glasmensch machen, den der echte Zuckerberg so gern propagiert. Haupthandlung und Gerichts-Szenen laufen am End in the hearing room together, where Mark is arguing with Eduardo, its probably the only (former) friend of foundations and financial issues in law firms. is

As The Social Network, to a large part character study of this (probably noticed fictitious) Mark Zuckerberg's, it seems fitting that the film with a (final) dialogue between Zuckerberg and his first girlfriend, Erica (solid acting, classical high- School-Girl), begins and ends with Mark's engagement with Erica. There will certainly suggests that Erica, also a symbol for any alterity to Mark Zuckerberg, the lack of recognition of his genius is the driving motivation behind his action is.

Jesse Eisenberg plays a solid Mark Zuckerberg. At first I was after the movie very much of the praise, but in retrospect the actor's performance is indeed commendable, but not impressive. Autism have been shown more often and more intensively, nerds as well. Someone who wants to belong, not totally nerdy, but somewhere one has haphazardly from the swatter, the fictional Mark Zuckerberg is drawn and played convincingly. I now the acting is not Oscar-feel is suspicious, especially because he almost never changes his facial expression. This is in fact a mixture of the two following:

And since then results in the right. Noteworthy is Justin Timberlake, who plays a convincing, lively and enthusiastic Sean Parker as Napster founder, would now again somehow approach the business with the Internet, namely somewhere for (as in all others as well) women, drugs, partying, and above all, his ego. Without ego there that is not no Facebook, no songs and a bunch of other things.

The constellation of the different characters is very sophisticated, and whose genius is maintained through the entire movie. After the film reflects you aware of the change the various persons whose changes and the development of society. Neither are there in The Social Network real heroes, still real enemy. If the Winklevoss brothers at the beginning close to it, we fear quite a American Pie -like staging a la "dumb snob and ladies' man", so also they act in the course of action as an upright, ambitious, sporty types, even in the face The defeat not be arrogant. They are fighting their own battle, ultimately, marked against their society of elites, of superficiality, application pressure, the success of the parents and the only seemingly applicable standards in sections of the Ivy League. Also Eduardo Saverin, played by Andrew Garfield , it is a desperate hero, lacking just the breakthrough that spark, which leads Mark Zuckerberg at the expense of other qualities.

"It's a man's world": But the women in the film come off something awful. Since there is ultimately only Erica and Christy, the latter actually an Asian dummy, and groupie as nerd-love-interest, first as a short unattainable antipode, with a healthy social life and values \u200b\u200bfrom a normal, well-medium sized company contrast to Mark's ideas of success represents.

"I know where is your hand!" "Gnihihihihi moneeeeeeeeyyyyyy 11 $$$$"

The real Mark Zuckerberg (of interest here:! an article about him in The New Yorker, the most complete to date, and his Twitter account with the curious message " 175 million:) " of 14 February 2009 Valentine's Day) even claimed to see the film not to be. Looking at his cinematic character, one can understand the good. The billion-Facebook-makers, who only recently learned to walk their own steps in the public can be summarized as egotistical nerd der sich von seinem gierigen Umfeld dazu bringen lässt, seine wenigen wahren Freunde zu verraten. Rückgratlos, ohne Empathiebegabung und mit wenig eigenen Ideen außerhalb des "Tunnels", also der virtuellen Welt, beginnt sein Charakter im Film so, wie er endet: ein einsamer Mensch vor einem Computer, und die Olle ist auch weg.