Sun birthdays always attract a lot of celebration here, as celebration food out there, that Wastrinken, train, taxi back to itself, now I'm getting used to slowly turn beschallert and that the Wall has fallen. For this we need, too social contacts and therefore I was yesterday with Marius, Mr. Huaba and Karl in the cinema. More precisely, in The Social Network . And now I want to write something about it, because as Karl and I are equal to the worst interpretation was considered good and we were in the preview, so our time is a few days ahead, I have that now "blogging" right now. ("Blogging" please speak into Würgelauten.)
Yet this is the first time that I write a movie review. I'm so excited! On the other hand, I've already read a couple of times at Maria, on the other hand, I read so have lots of interesting things here on the web.
The film is classified as a drama on imdb, History. You know a little of what will come, thanks to trailer and common sense. A bit like Passio Christi, much spoilers can not. More interesting, therefore, how to keep screen play and story line one at the bar! Beginning: The film was very, very good. The storyline confident and plays very well with the characterization and the absolutely brilliant soundtrack.
So just before the lens, then the content. The film is modern, there is no split screens (or as it is called, 8 thought of 5 media experts, who were now "out", although at Up in the Air still there came. Hm), but in between the story angepasste schnelle Cuts und teils schöne Gimmicks, wie eine Zeitraffer-Aufnahme von San Francisco von Tag zu Nacht, um dann in einen Club über zu leiten.
Mein persönliches Highlight war die Szene der Rudermeisterschaft: David Fincher fährt mit Tilt/Shift -Einstellung auf die Szenerie zu, im Hintergrund spielt Peer Gynt's "In der Halle des Bergkönigs". Ist die Tilt/Shift-Einstellung erst ein Hohn auf die etablierte Oberschichten/Ivy League-Gesellschaft, so sind die angestrengten Gesichter der rudernden Studenten für mich ein schöner Vergleich, wie die klassische Wirtschaftselite verbissen versucht, Jungspunden wie Mark Zuckerberg oder Sean Parker hinterher zu eifern.
 |
| Münchner Fantasien anno 2001: exitorientiertes Unternehmen gründen, Praktikantin auf Weihnachtsfeier vergewaltigen. So schauen. |
As The Social Network, to a large part character study of this (probably noticed fictitious) Mark Zuckerberg's, it seems fitting that the film with a (final) dialogue between Zuckerberg and his first girlfriend, Erica (solid acting, classical high- School-Girl), begins and ends with Mark's engagement with Erica. There will certainly suggests that Erica, also a symbol for any alterity to Mark Zuckerberg, the lack of recognition of his genius is the driving motivation behind his action is.
Jesse Eisenberg plays a solid Mark Zuckerberg. At first I was after the movie very much of the praise, but in retrospect the actor's performance is indeed commendable, but not impressive. Autism have been shown more often and more intensively, nerds as well. Someone who wants to belong, not totally nerdy, but somewhere one has haphazardly from the swatter, the fictional Mark Zuckerberg is drawn and played convincingly. I now the acting is not Oscar-feel is suspicious, especially because he almost never changes his facial expression. This is in fact a mixture of the two following:
The constellation of the different characters is very sophisticated, and whose genius is maintained through the entire movie. After the film reflects you aware of the change the various persons whose changes and the development of society. Neither are there in The Social Network real heroes, still real enemy. If the Winklevoss brothers at the beginning close to it, we fear quite a American Pie -like staging a la "dumb snob and ladies' man", so also they act in the course of action as an upright, ambitious, sporty types, even in the face The defeat not be arrogant. They are fighting their own battle, ultimately, marked against their society of elites, of superficiality, application pressure, the success of the parents and the only seemingly applicable standards in sections of the Ivy League. Also Eduardo Saverin, played by Andrew Garfield , it is a desperate hero, lacking just the breakthrough that spark, which leads Mark Zuckerberg at the expense of other qualities.
"It's a man's world": But the women in the film come off something awful. Since there is ultimately only Erica and Christy, the latter actually an Asian dummy, and groupie as nerd-love-interest, first as a short unattainable antipode, with a healthy social life and values \u200b\u200bfrom a normal, well-medium sized company contrast to Mark's ideas of success represents.
 |
| "I know where is your hand!" "Gnihihihihi moneeeeeeeeyyyyyy 11 $$$$" |
The real Mark Zuckerberg (of interest here:! an article about him in The New Yorker, the most complete to date, and his Twitter account with the curious message " 175 million:) " of 14 February 2009 Valentine's Day) even claimed to see the film not to be. Looking at his cinematic character, one can understand the good. The billion-Facebook-makers, who only recently learned to walk their own steps in the public can be summarized as egotistical nerd der sich von seinem gierigen Umfeld dazu bringen lässt, seine wenigen wahren Freunde zu verraten. Rückgratlos, ohne Empathiebegabung und mit wenig eigenen Ideen außerhalb des "Tunnels", also der virtuellen Welt, beginnt sein Charakter im Film so, wie er endet: ein einsamer Mensch vor einem Computer, und die Olle ist auch weg.
0 comments:
Post a Comment